Carl Battjes: Difference between revisions

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From ''Who Wakes the Bugler?'' (s.b.):
From ''Who Wakes the Bugler?'' (s.b.):
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<blockquote>
While on a camping trip in Oregon in 1961, I stopped at TeMronix and received an interview and a job offer the same day. Tektronix wanted me.  
While on a camping trip in Oregon in 1961,  
I stopped at Tektronix and received an interview and a job offer the same day. Tektronix wanted me.  
They were at a stage where they needed to exploit transistors to build fast, high-performance 'scopes.  
They were at a stage where they needed to exploit transistors to build fast, high-performance 'scopes.  


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So I arrived at this premier oscilloscope company feeling somewhat of a fraud.  
So I arrived at this premier oscilloscope company feeling somewhat of a fraud.  
I was more than just a bit intimidated by the Tektronix reputation and the distributed amplifiers and artificial delay lines and all that stuff that really worked.
I was more than just a bit intimidated by the Tektronix reputation and  
The voltage dynamic range, the transient response cleanliness, and DC response requirements for a vertical output amplifier made my low-power, 50 Ohm, 300 MHz IF amplifier seem like child's play.
the distributed amplifiers and artificial delay lines and all that stuff that really worked.
The voltage dynamic range, the transient response cleanliness,  
and DC response requirements for a vertical output amplifier made my low-power,  
50 Ohm, 300 MHz IF amplifier seem like child's play.


Naturally, I was thrown immediately into the job of designing high-bandwidth oscilloscope transistor vertical-output amplifiers.  
Naturally, I was thrown immediately into the job of designing high-bandwidth oscilloscope transistor vertical-output amplifiers.  
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[https://vintagetek.org/years-at-tektronix-hofer/ According to Bruce Hofer],
[https://vintagetek.org/years-at-tektronix-hofer/ According to Bruce Hofer],
<blockquote>
<blockquote>
It was also around this time that I was asked to take over the instructor responsibilities of “AFTR”, Amplifier Frequency and Transient Response, an in-house course developed by Carl Battjes.  I wasn’t sure I was up to the challenge, but soon became comfortable in this new role.  AFTR was a virtual pre-requisite among analog designers.  Carl’s focus had been solely on vertical amplifiers, so I added a lot of new material related to the design of other types of amplifiers.  I ended up teaching the course for 7 years.  Some years later when Carl became terminally ill, he begged me to “write the book” for him.  Alas, I did not have the time, having moved on into a very different design realm.
It was also around this time that I was asked to take over the instructor responsibilities of “AFTR”,  
Amplifier Frequency and Transient Response, an in-house course developed by Carl Battjes.   
I wasn’t sure I was up to the challenge, but soon became comfortable in this new role.   
AFTR was a virtual pre-requisite among analog designers.   
Carl’s focus had been solely on vertical amplifiers,  
so I added a lot of new material related to the design of other types of amplifiers.   
I ended up teaching the course for 7 years.   
Some years later when Carl became terminally ill, he begged me to “write the book” for him.   
Alas, I did not have the time, having moved on into a very different design realm.
</blockquote>
</blockquote>


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